5:25:24
The Last Horror Film, 1982. This movie shows how demonic and sleazy the film industry (and Cannes Festival) is and always was. Doubling is a euphemism for Mkultra and a trope of dissociation.
“While it might seem strange that the cultural engineers would want to reveal the Method, the Revelation of the Method is actually part of the Method. Fundamentally it involves the establishment of a feedback loop between the viewer and the fictional world, in which precise alterations of the fictional world trigger equivalent alterations in the viewer’s consciousness. When all the world’s a stage, the stage managers control reality. “
And here is the podcast discussion of the Joker Cycle.
The podcast episode covers many of the filmmakers/films and Mkultra takes I’ve been exploring on this Daily the past two years and in my books. Interestingly, Bogdanovich’s Targets, which they discuss, is the first film I ever reviewed professionally in 2004. I’ve been writing about the collapse between reality and cinematic fiction for two decades, and spent years studying De Palma’s work, but again, was lacking the Mk-lens until recently. The PsyOp guys connect a lot of important dots and deep state ties in their podcast discussion and Brett Carollo does a much-needed deep-dive into De Niro’s background, which has always been a bit of a mystery. Carollo asks whether De Niro himself is a kind of social experiment. A product of “Method” acting programming/engineering.
