SELECTED ARTICLES, REVIEWS, AND INTERVIEWS

Time Tells. Vol. 1 is selected as one of the favorite books of the 2023 by the Paris Review and Sight & Sound.
My conversation with the writer and critic Emmalea Russo about Time Tells, Vol 1, “Recovering the Cosmic”
2014 (The Age of Style) from the forthcoming Time Tells, Vol. 1, 2022
A 90 min excerpt of my film, DECADES, is featured in the Halloween issue of CALIGARI, along with an essay.
Green Scene (from Time Tells) in Your Impossible Voice
A review of Picture Cycle in Full Stop 
A review of Picture Cycle in Rogerebert.com 
Excerpts from Time Tells in Los Angeles Review of Books Quarterly Journal 
A review of Picture Cycle in MAP 
"Editing as the Practice of Criticism" in Critique: The Stakes of Form 
On Noah Baumbach's Marriage Story 
"Ever Since This World Began" from
Picture Cycle
Incremental Losses, Interview about Picture Cycle with Los Angeles A review of Books 
A review of Picture Cycle in VICE
A review of Picture Cycle in 3 AM
An excerpt of Picture Cycle in Literary Hub
Different But Same: On Kevin Killian's introduction to Picture Cycle 
Notes on Cant: In Conversation with Felix Bernstein about Picture Cycle
The Criterion Collection: December Books 2019
On Gretchen Bender retrospective, So Much Deathless
Return of the Serial Killer: On The Ted Bundy Tapes and Mindhunter 
On Alfonso Cuarón's Roma
FIVE YEARS: On the work of David Bowie, Isiah Medina and Masha Tupitsyn
The Rights of Nerves
The Rights of Nerves
Digital Antiquities: Roman Holiday
Earmarked
On Love Sounds
“Editing as the Practice of Criticism”
“Listening is the Only Critical Practice Left: Interview”
All Ears
“On Radical Estrangement and Technological Intimacy: Interview” 
“Under the Sign of Love: Interview” 
“A Brief and Incomplete Survey of Literature” 
“Masha Tupitsyn: An Interview” 
“Off-ing for Pleasure: Interview” 
Love Dog: A Reading & Interview with Masha Tupitsyn
Let Loose the Dogs of Love: Interview
Wavelength: Love Dog Tribute
There is Always Anxiety: Interview with Chris Kraus
“On Robert Bresson” 
I Love You Till Goodbye" 
“Famous Tombs” 
“When We Were Here”
“Solace"
“Mother Cutter: On Female Editors” (*not the original edit of my essay for Lenny) 
"All An Act"
"The Acting Personality"
"Solace"
"Screen to Screen"
The New Inquiry: Archive of essays 
Berfrois: Archive of essays
Queen’s Mob: Archive of essays
Ryeberg video essays