10:17:24
False fear drives the world. From the horse’s mouth: ”We’re afraid of all the wrong things.”
False fear is a cover up and a distraction.
A Walk Among the Tombstones (2014) is one of the more accurate and honest depictions of who these so-called “serial killers” really are, how they learn to kill and torture so expertly, who they really work for, where they really come from, and why they are almost never caught. However, the film stops short, at the end, by referring to the two psychopaths as “genetic fuck ups,” a fluke in our system of Total Crime. I do not believe anyone is born this way. Extreme cruelty is learned and honed through (Satanic) ritual abuse and intergenerational trauma. It is easier to excuse someone’s “nature,” and likewise to be fascinated by it, to study it, as we’re seeing with the frenzy of true crime podcasts and Ryan Murphy’s Monsters projects, than it is to admit to the systemic abuses and programming that lead to such behaviors. We are “fascinated” in part precisely because we have been conditioned and trained to be fascinated by it—by cruelty, corruption, and perversion. The more fascinated we are, the bigger the problem and the greater the corruption of the mind and psyche. Fascination in itself is a form of Mkultra Monarch programming (see the etymology). Who and what deserves your admiration? Your bewitchment? That’s what fame is. To be fascinated by someone is a money-making enterprise. People profit from it. Fixation as reward. “That rendered one unable to move or resist.” We decide who and what you should worship and value.
Luc Besson told part of the story of the DEA’s extreme corruption, what we see in A Walk Among the Tombstones, in The Professional (1994). How these government and intelligence agencies operate as a front for drug and sex trafficking. Perhaps I think the later film is more honest than most films on this subject because it names names? Because it traces the corruption back to the government. The two films are worth watching together. They both take place in New York City around the same time—one in real time, one as period piece.
A Walk Among the Tombstones, 2014. The film is set in 1999.
Are we so sure they do not work as agents?
