1:31:24

“The matrix was founded upon and fed by our wounded child energy.”
-Solarah

Strange that BJ doesn’t mention Miley Cyrus or Justin Bieber, who have had similar trajectories as crash and burn Disney child stars, but she has done separate videos on both on her channel.

A lot of these celebrity kids or children of celebrities end up tattooing (desecrating) their bodies and faces as adults, which is the norm now, but not normal. Excessive tattoos, piercings, and Illuminati symbolism is now prominent in celebrity culture, odd given that many of these people make a living off their faces, and faces should be clean slates for their characters and modeling gigs, right? As I’ve written elsewhere, brutality—and plasticity—is now beauty. In contrast, at the 2024 Grammys, Paris Jackson (Michael Jackson’s daughter) covered up all 80 of her body tattoos and piercings, and bizarrely but not surprisingly, referred to this non-tattooed and un-pierced look as her “alter ego.” An alter-ego she says she is “in love” with because being in love with one’s Mkultra alters is the name of the game in the narcissistic mind control matrix.

Robbie Williams

Dojo Cat, Grammy’s 2024. Look at all the elements in this photo. CBS one-eye logo in particular.

Paparazzi (aka the sleaze press) is a control grid. Are they Mkultra too?

Watching the way the paparazzi stalked and harassed Disney child actor, Amanda Bynes in 2012-2013, it’s clear paparazzi and tabloid culture is not about just stalking and tracking celebrities for entertainment and gossip—getting scoops. It’s about mind control and creating triggers and episodes in people in order to activate certain kinds of behavior in both the short and long term. In the short term, the celebrity is being groomed, tested, and provoked to act/respond a certain way on camera (to lose it, divulge information/leak stories to the press, comply, present an image, advance a career, have a meltdown from the media saturation, which then leads to them to have a breakdown, etc. Rinse and repeat). In the long term, they are being programmed to perform a psyop on the public. Most are sacrificial lambs.

Mind control is about inducing trauma through repetition, so it is very significant that these so-called photographers and reporters (as one YouTuber put it: “Reporters don't exist anymore, that's just a leech”) constantly repeat a star’s name (in this case, a star who is clearly distressed/disoriented/confused/unwell and/or pretending or programmed to be distressed/confused/unwell—one never knows what is true or false the false matrix), along with certain code words and key phrases, over and over again. Especially when they can see there is something wrong with Bynes. Why are they still bothering her, following her, goading her?

Why do we find this entertaining?

As the actress Shirley MacLaine put it in her memoir, I’m Over All That: “One person’s entertainment is another person’s hell.”

These code words activate certain behaviors, psychotic episodes, and induce dissociative states, which an actor is trained to excel in and Bynes is clearly exhibiting. These codes are programmed into music, movies, media. These are psychological warfare techniques. With post-Mkultra AI tech, frequencies and algorithms have replaced words.

In a March 22, 2023 episode of the Candace Owens podcast, Owens discussed the mentally unbalanced Amanda Bynes, and explains why she is against child acting in general:

“I believe that acting, the best actors, what they are good at, is mentally destabilizing themselves. It is an act of mental destabilization to convince yourself that you are somebody else and to be so good at it, they say, ‘Wow, I totally believed you as a character.’ It’s a wonderful craft, it takes a tremendous amount of talent, but I have always thought it was very bizarre when people aspire for their children to become individuals that have to mentally destabilize themselves day in and day out…Acting is quite literally the sport of mental destabilization…The best actors are able to completely destabilize themselves from their true selves.”

Owens’ definition of acting is akin to the professionalization of multiple personality disorder and mind control programming. Owens also reminds us that as a child, Bynes built her career on playing split personalities on TV shows and in movies like All That and She’s the Man. She also starred in the live-action, sketch comedy, The Amanda Bynes Show, where, Owens states, “[Bynes] played a variety of different individuals.” Let us also not forget the sexual abuse and grooming that many Disney and Nickelodeon child actors suffered. Dan Schneider, an alleged pedophile, wrote and produced much of All That. Many former child actors have spoken out against him.

In a 2004 interview for Criterion about Short Cuts (1993), Robert Altman, famous for being an actor’s director, told actor Tim Robbins, who starred in the film, and was also the lead in Altman’s The Player (1992), something similar: “Let me say something about actors. Cause I don’t understand actors. I don’t know how you guys can do what you can do…I think it’s some malady. I think it’s a flaw of personality. It is a dysfunction.” Screenwriter, Frederic Raphael, who penned Eyes Wide Shut with Stanley Kubrick, said the same thing about directors: “A very strange breed of sick person becomes a director.” Both Owens and Altman are arguing about the psycho-incompatibility of acting. Similarly, while Owens argues that acting is synonymous with the professionalization of DID, YouTuber, StrangerThanFiction, states that actors are “vessels,” a “suit for demonic entities” that takes possession of an actor when they are in “character.” Many actors, like Jack Nicholson on his role in The Shining and Kate Winslet in Lee, have admitted to this, claiming that acting or certain roles can indeed feel like a form of possession. To this point, in his book Magic in Theory and Practice, Aleister Crowley, so popular among the Hollywood and music crowd since the 1960s, states, that if you want to invoke a spirit into your life, one of the main ways to do this is through acting.

So is acting inter-dimensional? Where does one “go” when they dissociate and act? In 2024 podcast interview with Honey Golden, hypnotist, Lisa Shermerhorn states that “When you look at people who are schizophrenic, it’s because they are not integrated. They’re actually going into other parts of themselves. One part of themselves can have diabetes, another one won’t…Integration is really important for you to feel whole in this life.”

Acting and celebrity culture are direct attacks on our wholeness.

Celebrity/influencer culture is a torture program for the celebrity and the spectator alike. It creates a trauma-bond and exists within what Jasun Horsley calls a Satanic social system.

The paparazzi generate fear and stress states—fight or flight—then gaslight everyone into thinking this behavior is completely normal and fun. The celebrity must prove themselves (whether genuinely or by design, but of course, it’s all by design now. Maybe it always was) by being friendly, patient, and acqui​escent.

Fake and false at all times.

It’s a humiliation ritual, and when it’s not a celebrity being humiliated, it’s us. We are humiliating ourselves by watching and enjoying it. The same goes for Reality TV. We were being conditioned (groomed) to not be disturbed by cruelty and humiliation. It is what I call low vibration, low frequency entertainment. It’s purpose is to corrupt, dehumanize, and degrade.

Hollywood is a program and a trap. Everyone who is in it has been compromised. Make no mistake about that. To be an actor is to be a body snatcher. But also to be body snatched. In her 2012 memoir, I’m Over All That, MacLaine, who strongly believes in and has written many books on reincarnation (or is that her Mkultra alter who believes this? Given Oprah’s promotion and championing of MacLaine’s book, it’s highly likely) writes that “Hollywood changes your DNA.” This genetic recoding and predictive programming masqueraded as entertainment and talent begs the question: has the vocation of acting, as it has been envisioned, practiced, and weaponized by Hollywood since its inception, been an Mkultra psyop all along?

It stands to reason: the best actor must also be the most questionable (unknowable) person.

Whatever the case, these are all Monarch mind control programs and activation cues.

As Mkultra evolved into mainstream media, the digital algorithm, and AI-tech frequencies, the iPhone (invented by DARPA) played an instrumental role in the “democratization” and mass dissemination of the mind control matrix. The mass production of Selfies are evidence of our wholesale dissociation. We are not in the world, or in our bodies, or with others, we are trapped inside the big-tech dysmorphia of our images.  In Non-Things, Byung-Chul Han writes: “Visual communication through digital photography is far better suited to playing and acting than is written communication…Analogue portraits are a kind of still life. They are meant to express the person they depict…We pause. We turn inwards…The postures adopted are restrained…Selfies, by contrast, do not testify to the persons.” In his essay, “Smartphone,” Han writes that the “gaze builds primordial trust. Without the gaze, a disturbed relationship to self and others develops.”

You can’t groom the individual unless you first groom the collective.

Or as Celia Farber put it recently, “We’re having our minds essentially disordered by way of absurdism and ritual humiliation theater.”