7:21:23

Masks on, masks off. Masks on, masks off.

What is the logic of the COVID mask? There is no logic—that is the point.

It’s a game. It’s an Mkultra pysop. It’s an incoherent signal. They were testing you.

The screen grabs below are from And Just Like That: The Documentary (2022), an egregious behind the scenes of the first season of the Sex and The City reboot, And Just Like That.

All of the people in the series spend 12+ hours on set together, often in intimate scenes that involve nudity and kissing, and yet they pretend to wear masks around each other (in late 2021 and 2022). What is even more ridiculous is the way these same people (co-stars and crew) have masks on, yet seconds later, during the same conversation, their masks are off. One or two people in the group may not even have a mask on at all. Then they do, then they don’t again.

Masks must be off during filming (as the production crew instructs), but back on in-between takes, when the cameras are not rolling.

Again, nonsensical and illogical if the point is to protect oneself—and others—from a “dangerous” virus that was weaponized to shut the world down. Shouldn’t the mask be on at all times if the fear of contagion is real?

What struck me about S2 of And Just Like That is that there are “fake COVID” jokes in S2, but not in S1, which was much closer in time to the start of the plandemic/lockdown, when the new series began filming.

Also, masks are worn in S2 but not in S1.

In one scene of S2, a character is absurdly double-masked inside a recording studio while everyone else is not wearing a mask. When Carrie, the avoidant-narcissist par excellence, jokes about having "fake COVID” in S2, and briefly pretends to don a mask to protect others, it felt to me that the joke was on us, the American public. The imprisonment we were forced to live under by the ruling class, is a joke for these same elite powers to make. As the Vigilant Citizen writes about the 2023 Met Gala, “The narratives pushed by mass media are meant for the masses, not the elite.”

In one simple line of And Just Like That, the pandemic is dismantled by the meta-lie of a fictional series (that forced jabs and masks on everyone if they wanted to continue working in the entertainment industry), in which Carrie pretends to have COVID to get out of having to record her memoir about her husband’s death, Mr. Big.

I thought COVID was a “life and death” issue—and no laughing matter? In actuality, it’s a lie and a joke.

But only they can make the rules—and the jokes.

In other words: they’re laughing at us.

And Just Like That, behind the scenes, 2022

Entertainment industry overlords did the same thing at their award shows and galas during the entire “pandemic”—paraded around unmasked while everyone else was expected to abide by their lockdown policies and endless mask rules. Day time talk shows, like The View or the Drew Barrymoore Show, feature both hosts and guests unmasked, eating gourmet pasta and talking about their movies and rich friends, while a subservient masked audience claps and cheers at everything they see and hear.

It’s beyond disturbing to watch.

Mkultra-d audience

Shameless host

Shameless guest

Mkultra-d audience

Masha Tupitsyn

I explore film from a deep politics perspective. My DAILY blog offers multi-media posts & screen shot criticism about film, media, culture, literature, philosophy, deep politics, the deep state, COVID, Mkultra, crimes and criminals, the false matrix, free speech, sense-making, the trials of spiritual and emotional autonomy, truth seeker, faith, and love. My daily blog features useful media references, sites, and links.

https://mashatupitsyn.com
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