4:5:25
American Literary Historical Society, a CIA front.
Three Days of the Condor, 1975.
An absolute must-watch interview with Colonel Towner-Watkins, who is a wealth of knowledge, on the history of the CIA and their vast web of money laundering, global coups, war mongering, and false flags, known as Operation Gladio. “One of the most-well researched on the subject, Colonel Towner-Watkins explains the Post-WWII Dark Money project that never truly ended.”
CIA: “Democracy doesn’t mean a thing.”
Watkins defines the covert Operation Gladio as:
“The skeleton of organized chaos…It is responsible for the whole paradigm of Left and Right, and funding and fomenting war…People ask me, as someone who was in the military all my life, ‘How in the hell did you live in the middle of that and not know any of this?’ I can tell you clearly that the entire system is designed for that. I’m not saying there aren’t people in the military who don’t question things. But everything is designed to make you not do that…One of the fundamental lessons in all of this for me is the creation of a central intelligence agency. Because everything post the creation of a central intelligence agency was based on products from the central intelligence agency…As soon as you have that epiphany, you have to go back and ask yourself, ‘What the hell is the CIA?’ And once you do that, you open up an entire Pandora’s Box of going back and looking at every single person that was in the OSS, that transitioned into the CIA, and what you find out is that every single one of those people were the people that were in Antoni Sutton’s book. They were their Skull and Bones classmates, they were their law partners, they were their banking associates…Every bit of it is connected…Under a ‘strategy of tension,’ a term created and used by the CIA, is when you can manipulate people the best because they operate in fear.”
Three Days of the Condor. Not for nothing, but the movie is full of 17s, Q’s calling card. When it comes to Hollywood, there is no such thing as an accidental or random use of numbers. As in life, numbers hold great significance. Someone else on X noticed the 17s in the movie and did a montage.
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After I watched the interview with Colonel Watkins, I rewatched Sydney Pollack’s Three Days of the Condor (1975). There is so much disclosure in this film, which is why I always say all these movies need to be revisited. As I wrote extensively on my DAILY the past two yeas, I think we truly underestimated just how many films in the 1970s, 1980s, and 1990s depicted the machinations of the CIA and the vastness of our shadow government. We just never called it that—the Deep State—which allowed people to treat everything they saw onscreen, or even in the mainstream news, as fiction and entertainment. This suspension of belief created a very profound and very lucrative cognitive dissonance between the illusion of our world and the reality of our world. Everyone lived in this lacuna, an MKultra trance. The movies were always showing us. We could only really “enjoy” these movies because we didn’t understand the world we lived in, or we didn’t want to. That is how the spell of entertainment worked. That is what it means to be asleep. As Junique recently put it: “If you want to know the truth about this world, watch fiction. That’s the truth.”
It’s only now that is all being exposed and dismantled. Are we listen ready to listen now? To take it all in? To make the necessary reckoning?
Recall that Sydney Pollack also directed John Grisham’s The Firm (He also made The Interpreter in 2005, a thriller about the United Nations). How could a law firm have so much clandestine power over people’s (its employees’) lives? Who was running that law firm?
More over, if everything was a front, a cover, a clandestine operation, a psyop, who the fuck were directors like Sydney Pollack, who, by the way, plays a powerful shadowy elite figure in his final movie role as an actor, Eyes Wide Shut (1999).
Death traps and death webs. In Hanky Panky (1982), the CIA head quarters are in the bowels of Madison Square’s Barnum Bailey circus. In 2001, after 9/11, CBS News reported, “CIA Lost Office In WTC.” In Three Days of the Condor, the film sets the CIA’s NYC headquarters in the Twin Towers, which Pollack shoots repeatedly, in close up. The so-called “lost office” was Building 7, the one that was not attacked by the so-called planes, and yet fell down by itself hours later. The BBC News reported building 7’s collapse before it collapsed. I grew up only a few blocks away from the Twin Towers, so I knew these buildings well. Building 7 was not right next to the Twin Towers, it was a few blocks North and West. There is no way it would have been the only building that got “weakened” by the Twin Towers collapsing. Why didn’t any of the buildings next to building 7 also collapse then? Like the Historical Literary Society in Three Days of the Condor, Building 7 in NYC was a CIA front.
On a personal note, I love when people, like Colonel Watkins (and Robert Redford’s Joe Turner, a CIA analyst, in Three Days of the Condor) wake up, especially later in life, and change their mind and their life completely. It’s exciting and inspiring and it’s never to late to search for the truth. It’s also true, however, that when you wake up too much—when you know too much—your life as you know it is over. You go into a kind of spiritual and existential witness protection program.
